Z-fold pamphlet with nine 4x6 inch reproductions on Hahnemühle Sugar Cane 300gsm paper.
From the text by David Abbott:
"Places can be real or invented but they live in our imaginations.
These nine works are of actual places but speak less to the place they represent than the mind and heart of their maker. John Constable, a great painter of real places, described painting as 'but another word for feeling.' Places are experienced as geography, but remembered and painted as feelings . . ."
Z-fold pamphlet with nine 4x6 inch reproductions on Hahnemühle Sugar Cane 300gsm paper.
From the text by David Abbott:
"Places can be real or invented but they live in our imaginations.
These nine works are of actual places but speak less to the place they represent than the mind and heart of their maker. John Constable, a great painter of real places, described painting as 'but another word for feeling.' Places are experienced as geography, but remembered and painted as feelings . . ."
David Abbott
Anyplace
Anyplace
2025
Z-fold pamphlet with nine 4x6 inch reproductions on Hahnemühle Sugar Cane 300gsm paper.
From the text by David Abbott:
"Places can be real or invented but they live in our imaginations.
These nine works are of actual places but speak less to the place they represent than the mind and heart of their maker. John Constable, a great painter of real places, described painting as 'but another word for feeling.' Places are experienced as geography, but remembered and painted as feelings . . ."
Works
The Harvest Moon
Samuel Palmer
Oil on paper, laid on panel
ca. 1833
8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Inverary Pier, Loch Fyne: Morning
Joseph Mallord William Turner
Oil on canvas
ca. 1845
36 x 48 inches (91.4 x 121.9 cm)
The Moelwyns from Llan Ffestiniog
James Dickson Innes
Oil on panel
1912 to 1913
8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Works
The Harvest Moon
Samuel Palmer
Oil on paper, laid on panel
ca. 1833
8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Inverary Pier, Loch Fyne: Morning
Joseph Mallord William Turner
Oil on canvas
ca. 1845
36 x 48 inches (91.4 x 121.9 cm)
The Moelwyns from Llan Ffestiniog
James Dickson Innes
Oil on panel
1912 to 1913
8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Mountainous Landscape with Clouds
Joshua Cristall
Watercolour and graphite on paper
ca. 1803
10 1/8 × 15 inches (25.7 × 38.1 cm)
Loch Coruisk, Isle of Skye, Dawn
George Fennell Robson
Watercolor, gouache, scraping out and gum on paper
1826 to 1832
17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
The Moon Rose O’er the City
John Montgomery Charles Grove
Platinum print on paper
1847 to 1920
6 1/2 × 4 3/4 inches (16.5 × 12.1 cm)
Mountainous Landscape with Clouds
Joshua Cristall
Watercolour and graphite on paper
ca. 1803
10 1/8 × 15 inches (25.7 × 38.1 cm)
Loch Coruisk, Isle of Skye, Dawn
George Fennell Robson
Watercolor, gouache, scraping out and gum on paper
1826 to 1832
17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
The Moon Rose O’er the City
John Montgomery Charles Grove
Platinum print on paper
1847 to 1920
6 1/2 × 4 3/4 inches (16.5 × 12.1 cm)
The Castle of Doune
William Henry Fox Talbot
Salted paper print
1844
8 × 10.5 cm (3 3/16 × 4 3/16 in.)
The Fringe of the Marsh
Peter Henry Emerson
Platinum print on paper
1886
17.6 × 28.9 cm (6 15/16 × 11 7/16 in.)
Christ Giving Sight to Bartimaeus
William Blake
Tempera with pen and black ink on canvas
1799 to 1800
10 1/4 x 15 inches (26 x 38.1 cm)
The Castle of Doune
William Henry Fox Talbot
Salted paper print
1844
8 × 10.5 cm (3 3/16 × 4 3/16 in.)
The Fringe of the Marsh
Peter Henry Emerson
Platinum print on paper
1886
17.6 × 28.9 cm (6 15/16 × 11 7/16 in.)
Christ Giving Sight to Bartimaeus
William Blake
Tempera with pen and black ink on canvas
1799 to 1800
10 1/4 x 15 inches (26 x 38.1 cm)
$35.00